Case study · Modern Live Show

The event floor, built in 3D

A bilingual site for an Egyptian event producer, plus a browser based 3D builder that lays out venues and prices them live.

Modern Live Show home page in Arabic, with the headline we build the light you remember and a gallery of stage lighting photographs
Client
Modern Live Show, live event production, Egypt and the Arab world
What we delivered
Visual design, responsive build, 3D event builder, admin dashboard
Built with
Custom Node.js application, real time 3D in the browser
Languages
Arabic first with full RTL, plus English

A production company that had nowhere to show its work

Modern Live Show has been lighting concerts, galas and weddings since the early nineties. The inventory is serious: moving heads, LED walls, line array sound, truss and staging. None of it was visible online. Every enquiry started with photos sent over WhatsApp and ended with a quote typed by hand.

The capabilities section of the site, showing lighting, LED screens, sound and staging laid out in an asymmetric grid
The capabilities section carries the actual inventory, so an event planner can qualify the company before making contact.

Four departments, one catalogue

We structured the equipment the way the company actually works on site, and wrote every spec in Arabic and English so a planner in Cairo and a producer in Riyadh read the same page.

Lighting

Moving heads, beams, wash and matrix fixtures, run from Avolites control. The section leads the catalogue because lighting is what the company is known for.

Concert stage lit with beams over a packed crowd, from the Modern Live Show gallery

LED screens

Indoor and outdoor walls from P2.6 to P4.8, driven by Novastar processing and Green Hippo media servers.

Sound

JBL, Meyer and RCF systems with Midas and Soundcraft consoles, scaled from a conference room to a full concert.

Staging and logistics

Eurotruss truss and scaffolding, stage decks, tents and power. Everything the venue needs before the rig goes up.

The centrepiece

A 3D event builder that runs in the browser

Clients kept asking the same question: what will it actually look like? So we built them a tool that answers it. A client sets the hall dimensions, drops in a stage, LED walls, truss and moving heads from the company's own inventory, and walks the scene from any angle. No install, no CAD licence, no download.

The 3D builder workspace: an equipment library on the left, a 3D hall with stage, LED walls and truss in the centre, and a live properties panel on the right
The full workspace. Library on one side, live properties and pricing on the other, the venue in the middle.

Getting into the builder

The builder is a service, not a free toy, so it sits behind an access code. The public page explains the tool and hands the visitor a short path to a code.

Watch how it works

A walkthrough on the public page shows the builder in motion before anyone commits to a conversation.

Request a code

A short form takes the name, phone, event type and date. WhatsApp sits right next to it for anyone who would rather just message.

Open the builder

The code unlocks a saved workspace. Work is kept between visits, so a design can be started on Sunday and finished on Wednesday.

The access page: a code field on top and a request form below asking for name, phone, email, event type and details
Returning clients type their code at the top. New ones request one below, or open WhatsApp.
A gala layout in the 3D builder: a T shaped stage, a curved LED wall, truss towers with beam cones, banquet tables and tiered seating

Everything on the floor is real gear

The library is not generic furniture. It is the company's own rental stock, modelled and named, so what a client arranges on screen is what arrives on the truck.

  • Stages: rectangle, T shaped runway, U shape and round.
  • LED screens: indoor P2.6 and P3.9, outdoor P3.9 and P4.8, plus a 360 degree wall.
  • Truss and rigging: Eurotruss 30 and 40, folding truss, mega truss and scaffolding.
  • Moving heads and beams: Light Sky F450 and F350, Clay Paky 330 and 200, Robe 280w, Vello 350, Space Cannon.
  • Wash and effects: Clay Paky Wash and B-EYE, Vello Wash 900, Matrix MH.
  • Seating: banquet rounds, theatre rows and tiered blocks.

The scene does the maths

Drag an LED wall wider and the panel on the right recalculates as you go: how many cabinets, what resolution, how much power it draws and what it weighs on the truss. Those four numbers are what decide whether a rig is actually possible in a given hall, and the client now sees them before anyone is on site.

28 × 8cabinets, 224 in total
3584 × 1024pixel resolution
56 m²screen area
36.4 kWpower draw
1960 kgrigging weight

Readings from the gala layout shown above: a 14 by 4 metre indoor wall at 3.9 mm pitch, in a hall of 56 by 48 by 9 metres.

A quote that keeps up with the design

A second tab next to the properties panel prices the scene from the same inventory. Change the layout and the figure moves with it, which turns a week of back and forth into one conversation.

  • Orbit, top, front and side views, so the layout can be checked the way a rigger reads a plan.
  • Snap to a 25 cm grid, with move and rotate on keyboard shortcuts.
  • Templates for the event types the company runs most often.
  • Export, so the layout leaves the browser and reaches the crew.
  • Autosave on every change, shown in the toolbar.
The public 3D builder page, explaining the three steps to access and previewing the workspace below

The company runs it without calling us

Behind the site is a dashboard the Modern Live Show team owns. Clients, access requests and codes each get a tab, every client row shows the event type and when the design was last touched, and the team can open any client's scene and edit it with them on the phone.

The admin dashboard listing client designs with event type, last update time and an access code, with client names and contact details masked
Client names and contact details are masked in this screenshot. Access codes follow an MLS prefix so the team can quote one over the phone.

How we told the story

The launch ran as a three part set: the design work first, the engineering behind it second, and the 3D builder as the payoff.

Have something this involved in mind?

Modern Live Show came to us for a website and left with a product. If your business has a process that clients struggle to picture, it can probably be built.